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Abstract
This article tests the hypothesis that postwar affluence led to an integenerational shift from Materialist to Post-Materialist values among Western publics, and analyzes the consequences of the economic uncertainty prevailing since 1973. The young emphasize Post-Materialist values more than the old. Time-series data indicate that this reflects generational change far more than aging effects, but that the recession of the mid-1970s also produced significant period effects. As Post-Materialists aged, they moved out of the student ghetto and became a predominant influence among young technocrats, contributing to the rise of a @`New Class.@' They furnish the ideologues and core support for the environmental, zero-growth and antinuclear movements; and their opposition to those who give top priority to reindustrialization and rearmament constitutes a distinctive and persisting dimension of political cleavage.
Journal Information
The American Political Science Review [APSR] is the longest running publication of the American Political Science Association [APSA]. APSR, first published in November 1906 and appearing quarterly, is the preeminent political science journal in the United States and internationally. APSR features research from all fields of political science and contains an extensive book review section of the discipline. In its earlier days, APSR also covered the personal and personnel items of the profession as had its predecessor, the Proceedings of the APSA.
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Founded in 1903, the American Political Science Association is the major professional society for individuals engaged in the study of politics and government. APSA brings together political scientists from all fields of inquiry, regions, and occupational endeavors. While most APSA members are scholars who teach and conduct research in colleges and universities in the U.S. and abroad, one-fourth work outside academe in government, research, organizations, consulting firms, the news media, and private enterprise. For more information about the APSA, its publications and programs, please see the APSA website.
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journal article
Toward a Throw-Away Culture. Consumerism, 'Style Obsolescence' and Cultural Theory in the 1950s and 1960sOxford Art Journal
Vol. 10, No. 2, The 60s [1987]
, pp. 3-27 [25 pages]
Published By: Oxford University Press
//www.jstor.org/stable/1360444
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Journal Information
The Oxford Art Journal has an international reputation for publishing innovative critical work in art history, and has played a major role in recent rethinking of the discipline. It is committed to the political analysis of visual art and material representation from a variety of theoretical perspectives, and has carried work addressing themes from Antiquity to contemporary art practice. In addition it carries extended review of major contributions to the field.
Publisher Information
Oxford University Press is a department of the University of Oxford. It furthers the University's objective of excellence in research, scholarship, and education by publishing worldwide. OUP is the world's largest university press with the widest global presence. It currently publishes more than 6,000 new publications a year, has offices in around fifty countries, and employs more than 5,500 people worldwide. It has become familiar to millions through a diverse publishing program that includes scholarly works in all academic disciplines, bibles, music, school and college textbooks, business books, dictionaries and reference books, and academic journals.
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This item is part of a JSTOR Collection.
For terms and use,
please refer to our Terms and Conditions
Oxford Art Journal © 1987 Oxford University Press
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